Research

I work on music theory, analysis, and composition, almost always using computational methods. Computer-aided methods can help not only to advance what we know about a wide range of musical structures, but also what we can do with that knowledge, and who can access it. Central to much of this is the encoding of human analyses in computer-readable formats.

“Mark Gotham is an international treasure and one of the smartest, most insightful people working in computational musicology.” An unusually kind anonymous reviewer, 2026

On this page:

Much of the recent work centres on the creation, curation, and analysis of musical dataset, particularly human analyses in encoded formats. For example, for harmonic analysis I’ve been curation the “When in Rome” meta-corpus which and used that for …

Publications

Lists of indexed publications are available in all the usual places: publications are available in all the usual places:

No need to repeat all of that content here!

Invited Talks

Apart from formal publications, some current/recent keynotes and invited talks are listed on my CV (click here). There come with active URLs that also give an indication of other groups working in related areas. Thanks to all the collaborators and hosts involved!

Coming up in 2026:

Posters and Videos

Some talks and related conference videos can be viewed on YouTube here. Here are a few recent papers that come with posters and short video summaries:

Short Title &
paper/poster link
Venue;
Year
Video
     
Chromatic chords in theory and practice
Paper,
Poster
ISMIR;
2023
ISMIR 2023 Chromatics paper intro
Musical Micro-Timing for Live Coding
Paper,
Poster
ISMIR;
2023
ISMIR 2023 paper intro
Musical Genre Recognition
Paper,
Poster
EvoMUSART;
2023
N/a
What if the When implies the What?
Paper,
Poster
ISMIR;
2021
ISMIR 2021 paper intro
Augmentednet
Paper
Poster
ISMIR;
2021
ISMIR 2021 augmented net video
Discourse Not Dualism
Paper,
Poster,
& More
ISMIR;
2020
ISMIR 2020 discourse not dualism